Chicago, 1935

The Velvet Trap

Where desire and damage tell the same lies

A queer literary historical novel

Enter the Trap
The Novel

Below the laundry. Beyond the rules.

In 1935, psychoanalysis is being remade in American institutions. Sex is becoming medicalized and increasingly normalized. Less confession than diagnosis.

Dr. Eleanor Wentworth, London-trained and established at the Chicago Institute for Psychoanalysis, has learned that lesson. A woman in authority survives by controlling what others see and suspect. When Eddie Langley enters her consulting room, the Velvet Trap has already made them dangerous to each other.

Eddie brings Catholic shame, a reporter’s ambition, and rituals that make desire bearable. Eleanor brings a lavender marriage and an appetite she has spent a lifetime disciplining. What begins as treatment becomes an intimacy neither can master. The pleasure that consoles also wounds them, and each return makes concealment harder.

Steeped in psychoanalysis, queer secrecy, and Depression-era Chicago, The Velvet Trap is a literary historical novel about a truth that refuses to choose between damage and desire.

The Club

The night in two colors.

Slip down the hidden stairs beneath the Clean Sweep Laundry, and Chicago falls away. Below street level, the Velvet Trap divides itself in two: the Red Room and the Blue Room.

The Red Room

Brass and wood. Red leather and red lights. Perfume and smoke. A turntable gives the room its pulse: Duke Ellington’s Solitude, maybe Billie Holiday's What a Little Moonlight Can Do. Behind the Red Bar is Vivian’s office, where the ledgers tell one story, the whiskey tells another, and real names are never spoken.

The Blue Room

Cool lights and blue leather banquettes. Sam is always ready to pour. Behind him hangs a rack of keys for those Vivian trusts. Beyond the door marked “Private” are the Prometheus, the Hades, and the Arcadian: rooms arranged for particular appetites. Across the corridor waits a library of exceptional art and unacceptable books.

Characters

The women of the Velvet Trap.

Dr. Eleanor Wentworth

Portrait of Eleanor

Psychoanalyst, doctor, wife. In her Hyde Park office, she helps patients survive what her profession would rather pathologize.

Miss Edith "Eddie" Langley

Portrait of Eddie

Dangerous. Not cruel. A working-class reporter with a hunger to watch and a taste for restraint. In the Velvet Trap, her compulsion finds its rooms.

Miss Vivian Moreau

Portrait of Vivian

Proprietress of the Velvet Trap. The club is only one of her businesses. Secrets are another.

Mrs. Violet Sinclair

Portrait of Violet

Sweet. Not innocent. With wealth and a taste for risk, she eases between Gold Coast drawing rooms and the hidden world of the Velvet Trap.

Enter the Archive

Choose a door.

Some historical sources use pathologizing or offensive language about sexuality and gender.
Enter the full archive

Coming Next

Chicago, 1942

Shadows of the Velvet Trap

The war changes what can be hidden.

In 1942, Chicago is learning the habits of war. Sailors swarm the streets on leave, women earn their own wages, and the city manages ration books, blackout shades, and new freedoms that don’t have names.

Seven years after crossing the boundary between analyst and patient, Dr. Eleanor Wentworth and Eddie Langley have made a life that’s intimate and uneasy. Eddie now runs the floor at the Velvet Trap, which has been remade as a South Side swing club. Eleanor is a supervising analyst at the Institute. Both women have more authority, more visibility, and more to lose.

Set in a psychoanalytic milieu and a Chicago remade by wartime desire, Shadows of the Velvet Trap is a queer literary historical novel about freedom, surveillance, and the afterlife of transgression.

Listen to the Last Set.

Blackout shades drawn, ashtrays filling, sailors watching the clock, and the band refusing to quit.

 

About the Author
Portrait of Teresa Wymore

Teresa Wymore

Teresa Wymore writes and illustrates literary, historical, speculative, and queer fiction. As a lesbian writer, she is especially interested in how lesbian desire has been understood, pathologized, and lived within psychoanalytic theory and culture.

Her writing has appeared in print anthologies, including the Lambda Award-winning Lesbian Cowboys: Erotic Adventures, online and small-press venues, and most recently The Contact at the Boston Graduate School of Psychoanalysis. She also writes a weekly Substack autotheory series Diary of a Psychoanalysis, exploring psychoanalysis, queer life, and her experience in four-day-a-week analysis.

The Velvet Trap is a complete queer literary historical novel currently seeking literary representation.

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